I don't know were this sprang from on a Sunday night, least of all why I felt it to be appropriate to put it on Twitter.
Maybe after the way things have panned out recently with my impressions of people I thought I knew changing, I feel like I need to justify my own pessimism at times.
Have a look.
Sometimes I feel like shouting out things I don't like about the people I care about, but then I realise I bite my tongue BECAUSE I care.
But then there is this fine line where I find it difficult to evaluate if I care enough to bite my tongue, or if I care too much not to.
At least I do it all with a smile on my face.
Sunday, 5 September 2010
Sunday Night Dog Fight
Sunday, 2 May 2010
Thursday, 22 April 2010
That Island Boy
I’m such a heartless piece of shit.
Just going though, my room, and throwing out some old stuff.
Found a letter from a person who I think of every single day of my life,
Someone who I will always have a huge place in my heart for,
Someone who i treated so bad.
The biggest mistake i have ever made is letting you go.
I hate myself so much for what happened.
I’ve never lost intrest in you.
You are so perfect and I dont know why I never seen it before.
You understood me in a way like no other, you were the one person who i could tell anything to, even though i found it so hard.
I was immature, and stupid, and I cannot believe I gave up on you.
I’m sorry, I’m so so Sorry.
I will always have love for you.
Sunday, 11 April 2010
Too Much Today
2pm - Matt
Thursday, 8 April 2010
The Job
Sunday, 14 March 2010
Tuesday, 9 March 2010
Ridiculous
So there has been this letter sat on my desk for about a week, ready to send but I've been too scared to do it.
I would really like to go for a drink with you...
But I can't lie, I am still really cut up over losing you, and I've never felt like this before.
I think about you still every day, and haven't said anything because I don't want to bother you.
I hate that it's come to me telling you this over a text, but I didn't want to seem rude by not replying...
I'm sorry.
Tuesday, 2 March 2010
Sunday, 28 February 2010
Decisive Drafting
Saturday, 13 February 2010
Musings on Jellyfish
Thursday, 11 February 2010
What Happened
Saturday, 30 January 2010
Off my chest (1)
Despite the fact that I have never understood the concept of 'getting it off your chest' (surely what you need to remove is in your brain, not your chest?) I have decided that blogging about how I feel is not necessarily a bad thing if it helps me organise myself a little more. By all means this does not signify a change of pace for this blog, and I am in no way willing to use it entirely as a diary. However the whole purpose of it was for me to remember the important stuff. And some of this stuff might be worth remembering.
School and my future
I got a huge knock this week. One of my observations for a taught lesson went badly, almost verging on a fail as I later found out. While I would fully admit that I was struggling with the class so far, behaviour wise more than anything I would in no way say that they were beyond my control, and I still felt as if my role as teacher was beginning to stick. So the idea that I could have failed altogether did come as a shock. I took on board and identified with everything that got thrown at me, and know I need to improve on it. It is still early days, and it will clearly take time to adapt into this, and let the kids know what role I have. But actually getting to the point where someone tells you that you aren't very good at the thing you have wanted to do since year dot was heartbreaking. I am forever being told how patient I am, how I have a way with children, how I will make a brilliant teacher and so on. But it's getting to the point now where I need to be a good teacher, and I don't like that I don't feel like I am. I am trying not to take it to heart, as the man also commented on my trousers because they were grey, and wasn't sure if it was appropriate enough.
A decent relationship?
I am in a full blown relationship. I am content, happy, and not thinking about anyone else. But I have come to the conclusion that no matter who I am with, I will be constantly insecure about their unhappiness or boredom from being with me. Russell is not much of a talker, and will not talk about how he feels willingly very much. I wouldn't even say that I push him to find things out a lot, but I feel like I do. I feel like I am digging a lot of the time for what I want to hear, and I'm not sure if I ever get it. He tells me that this is the only real relationship he's had, and that he is happy. But in a way that makes me more scared because what if it's shit? What if he feels crap about it, but has nothing to compare it to so won't know that he doesn't really like me? He is a strong person, and he knows his own mind I guess. But I worry constantly that I am boring to him, or that we don't have the same connection as he does with some of his other friends. I don't want it to just be about sex. I care about him so much, and he has taught me so much about myself but I worry too that because this is a big thing for him, the sex is sort of overpowering the other components that make up our relationship. I'm not sure. I know I'm over-thinking, because to be honest it is genuinely good. But I will always feel insecure enough about something to pick holes in it, and I hate that.
'Getting by'
I have this recent constant urge that there is something more that I need to be doing. Everything is taking a lot of time to do at the moment, and there is so much that I feel like I want to do, but I am really fearful of never getting the time to do it. The reality is, I will eventually find a way to make time to do it when I have more of a routine, and can cope a bit more with everything. But there is a fear that this will come at the expense of letting other people down. I feel like I am often at a crossroads about making a decision that will benefit myself in one direction, and someone else in another. I always take someone else's direction. I think this might be because I'm scared of what will happen if I take my own, even if it is something mediocre. I don't trust myself at all, and if I make a huge decision for myself, there will be no-one else to blame but myself when it inevitably screws up.
Wednesday, 2 December 2009
Weird Things (or 'An Unshamed Dramatic Vomit')
Things are socially horrible at the moment. And through no fault of my own. Observe.
Monday, 9 November 2009
Wednesday, 14 October 2009
Mephedrone
The one thing I am sure of due to this whole experience is how amazing Chris is.
This boy means an awful lot to me, and I don't think I can stress that enough.
I'm not letting this one go without a fight.
Proper falling.
Sunday, 4 October 2009
I Think
(Wednesday, 30th September 2009)
Saturday, 19 September 2009
Friday, 18 September 2009
Vertigo
Astounding film. I am completely amazed by what Hitchcock did. I'm not a film student, and I would never profess to be, but when i trigger than a director has a specific style and way of working that speaks to me, or affects me, if makes me want to know more about why things are done the way they are, or how directing in such a way works.
I don't usually get taken in by old films, but whenever I sit down to watch a Hitchcock film I feel such a sense of romanticism - be it the orchestral opening credits, and then splashes of strings interspersed throughout to accent especially emotional moments, or the dull, muffled way the speech is recorded. I love being taken back.
Vertigo is brilliantly executed. I love the on-location shots, the way Hitchcock frames everything so the use of height is a massive focus. Gradiose structure, cloudless distant skies and appartments in high-rises all add to the tone of distance, also giving the viewer an inadvertent sense of vertigo themselves.
Hitchcock does wonderful things with relationships, and Vertigo is no exception.
The weaving of a passionate affair between James Stewart and Kim Novak is played out in a way that is so romantically perfect, that you almost feel guilty yourself for drawing doubt in what is ultimately an extremely flawed situation.
Novak is spellbinding as an almost ghost-like (funny, given the conclusion!) suicidal femme fatale, who excuses her actions by being 'overtaken' by a woman wanting to kill herself. The way the viewer sizes this up is ultimately how romantically linked to the film they are - her character's demise is undoubtedly tragic due to the love affair, but in reality she is totally insane, and Stewart is more of a fool in the first place for falling for her.
While Novak's suicide is easily the most tense event of the film, the truly scary realisation comes with the conclusion, as Barbara Bel Geddes is slowly transformed into the character Stewart wants her to be. His morbid fascination with height, death, and Novak's suicide leads him to live out the 'one final thing I have to do. Then I'll be free of the past.'
While Bel Geddes is clearly not Novak in any way, this makes her transformation even more shocking. When Stewart propositions her 'I need you to be Madeleine for a while. Then we'll both be free', you feel shocked for an instant that she is even considering going along with it, even for the good of Stewart's own sanity. How has a strong woman like herself got caught up in such an insane situation, in a love affair that doesn't even involve her? She is forced to play Stewart's insane twisted game, to play a part she has no idea how to play. Her naieve lies fuel his insanity, in turn sealing her own fate.
Herein lies the true tragedy; a forced love, a forced identity, and eventually a forced suicide.